Going across sky scrapers and looking down at the structures through the city.
But seriously, exploring the streets of the Chinese district soaked in the neon lights. Finally, the best of LA without having to actually go to that rancid place. I thought the place was just dirty and dank enough for my brain to comprehend. Even trying to find ways to break the game aside, I genuinely enjoyed travelling around the city. I still found myself having a blast with this game. I never do that for games these days because I’ve been disappointed too many times in the past. I live for the jank! I never went in expecting the world. I don’t gotta explain myself to you! I dumped hours and hours into fucking Skyrim and original Saints Row: The Third. Cyberpunk 2077 is a buggy, fuggly mess and I love it. But I remember hearing that if you need to defend your reason for liking a game, it’s not worth it. While I never get hyped for a game, when your managers promise the biggest thing in the world and you come out with okay, it is in your god given right to tell them to go fuck theirselves. And yes, I do think that this game deserves every ounce of criticism that it gets. Yes, the practices of the higher management, not the developers, management, of CD Projekt Red are sketchy as all hell. Yes, this game is definitely the biggest disappointment of the year. Yes, this game is buggy as a motherfucker. And hell, this game actually made me want to check out the Danganronpa franchise. Death Come True is quite the sleeper hit for me, and depending on what Too Kyo Games does next, I can see them becoming a studio with a small following like Grasshopper Manufacture, Red Entertainment, Toybox Inc., and even Chunsoft, the studio behind Danganronpa. With the right budget, I can see the studio making something really spectacular. The game is just a fun little two hours that I found enjoyment out of. As I expect from the composer of the Silver Case games. And of course, the soundtrack does have that Masafumi flare to it, sounding so strange but so damn stylish. I was scared where it would go, but it ended up not shooting itself in the dick. And I genuinely enjoy the story even after the twist. Come on, my man, the news anchor’s got more style than you do. Though the protagonist is kind of bland looking. The sets look colorful and so otherworldly, and everyone dresses in these strange clothes and hot colors. But with the twists that the game takes to abuse being an interactive movie, and the style it goes into the font and the choices, it’s a decent movie.
HUNTDOWN UNLOCKABLES MOVIE
The game can be accused of just being a movie that you occasionally press buttons on and yeah, I can see that. Young boy with amnesia accused of being a killer that looks like him and trapped in hotel with an unconscious girl, big man in trench coat out to break necks, a twink bellboy runs the place, and you are stuck in a time loop until you figure out what the fuck is going on, no matter how many times you die. So when I heard this, I just had to at least buy it on sale. And I absolutely adore those soundtracks, loving everything just about them. The games composer, Masafumi Takada, the composer for the first No More Heroes and Killer7. And I would have probably never touched Death Come True if not for one reason. I only like two, being Wolf Among Us and Detroit: Become Human, and only because Wolf Among Us has good lighting to give it a style and Detroit… Well, let’s just say I sure as shit don’t love it genuinely. Honestly, I’m not a fan of the interactive story games. They did release the anime, Akudama Drive. They haven’t released much outside of Death Come True. However, the creator of those games, Kazutaka Kadoka, went on to make his own game studio, as many developers do, called Too Kyo Games. If I played in high school, I’m positive I would have eaten this thing up, but it just alluded me all my life. I was always an Ace Attorney boy growing up.
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