


World as Soft As Lace cover intro/outro by Barrett.įor full episodes, bonuses, and more please consider supporting the show. Thanks to Charlie Hannah and Matti from Cherry Red for helping make this possible. Order his new album Pop-Up! Ker-Ching! And The Possibilities Of Modern Shopping. One of the biggest inspirations to Contain and one of the greatest lyricists of all time, there couldn’t be a better way to ring in the third birthday of this show. Recorded directly from flip phone (he doesn’t own a computer or smartphone) using an advanced podcasting contraption, this interview has been in the making for months now. ‘I want to prove that being famous doesn’t mean you have to be a prostitute to media.’
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The elusive legend known as Lawrence (Felt, Denim, Mozart Estate), on fame, mystery, consumerism, his relationship with Martin Duffy (RIP) & Maurice Deebank, the history of Felt, cartoons, technology, how to not overexpose yourself, creating your own world, his three elements to cherish, the concept behind his new project Mozart Estate, & more. This is a preview, for entire episode, archive, bonuses, and more please consider supporting the show. esoteric knowledge, Seance Trickster Magic, secrets of the State Department and a lot more Other topics: Roma Witches in Bulgaria, Military E-girls, the introduction of socially engaged practice in contemporary art, AI interfacing systems vs analog creativity, the ‘permitted avant garde’ (trends, fashion), manufactured notions of creativity. determinism, the role activism plays in art, and how art becomes directionalized and purposed by NGOs and other coercive structures to suit their own agenda. The show he curated The Influencing Machine brings into question free will vs. He details his research into the Soros Centre for Contemporary Art, linked to the Open Society foundation and its introduction of Western/Neoliberal forms of artistic/social practice through the opening of 20 centers in the post-Eastern Bloc. Art Curator/Anthropologist Aaron Moulton comes on to discuss how art/media can become both a vehicle for social engineering and the communication of spiritual aspirations.
